Russell Crowe has reached the delightful stage of his career where he’s just having fun. No longer burdened with the responsibility of being a hunky leading man, Crowe has played a schlocky Mr. Hyde, a campy Zeus, and now, a lighthearted exorcist. Love it. Unfortunately, THE POPE’S EXORCIST met with lukewarm critical reception, which means is up to The Contrarians to sing its praises. Listen to Alex & Julio make the strongest case for a POPE’S EXORCIST sequel!

It’s taken close to ten years for MOANA to get a sequel - an uncommon length of time for a movie so successful. Does it hold up as we prepare for the further adventures of Moana and Maui? Even better: does it live up to the hype for someone who had never seen it before? And what are the odds that The Rock dresses up as Maui on his next wrestling match? The answers to this (and more!) lie in this Real Talk segment.

Every now and then, Disney likes to apply its Disney Template to other cultures in an effort to diversify the way it makes trillions of dollars. As the release of Moana 2 looms in our immediate future, it may be a good time to revisit the original MOANA and try to figure out why critics keep falling for the same tricks over and over. Listen to Alex and Julio as they try to figure out if the novelty of an animated Dwayne Johnson is all this movie has going for it!

It wasn’t that long ago that we praised Steven Spielberg’s gritty take on the war genre. Does Clint Eastwood’s similar approach to Westerns manage to capture our interest the same way? UNFORGIVEN is just as celebrated as Saving Private Ryan, but you could argue we have less of a connection to its origin and its stars. So do we find anything transcendent in Eastwood’s most acclaimed cowboy adventure? It’s all in this Real Talk segment!

Props where props are due: back in 1992, Clint Eastwood figured out a way to turn his status as an aging cowboy into an asset. UNFORGIVEN may be an unremarkable Western, but Clint managed to trick critics and audiences into buying it as an exploration of the first half of his career - successfully fueling the second half. Listen to Alex & Julio as they try to determine if this movie has anything to say beyond “Eastwood is still a badass”!

This one’s for the fans. And for us, honestly. It’s been ten years since we sat down to record the first episode of The Contrarians, and the journey has been fun, rewarding, and well-worth celebrating. So allow us to be more than a little self-indulgent as we stroll down memory lane, go over some of the show’s milestones and listen to messages from our friends and patrons!

In a Contrarians year dominated by Peter Bogdanovich and PJ Hogan, will their filmographies take over our annual awards ceremony? The only way for you to find out is to listen to The Embries 2024, as we celebrate the last twelve months of Contrarians awesomeness by giving away Embries, Hooeys, Ruffalos, Gads, and The Lancaster Dodd Grant!

We dragged poor Paul from The Countdown, kicking and screaming, through a Contrarians Corner dedicated to one of his favorite movies. Now it's time for the all-out praise-fest to be unleashed... or is it? How do we truly feel about SAVING PRIVATE RYAN, and what do we make of that American flag waving us goodbye as the end credits get ready to roll? It's a heavier Real Talk segment than the one in our Shakespeare in Love episode, for sure!

Oscars are like Pringles: you can't stop at just one. And that's why Steven Spielberg spent several years chasing the high of winning all those Academy Awards for Schindler's List - a journey that culminated in a Best Director Oscar for SAVING PRIVATE RYAN. The price? Sucking the fun out of the war movie genre forever. Listen to Alex & Julio - joined by SPR Superfan Paul from The Countdown Podcast - question if the man was worth the mission!

Okay, level with us, Judge Dredd fans: is the hate mostly about the helmet? The Contrarians are barely familiar with the 2000 AD comics, so it's very likely this Real Talk segment won't reflect the feelings of the average Dredd fan. But surely we can find common ground? Surely we can agree that Stallone looks great? And can this movie be judged as a 90s Sci-Fi Flick, separate from its comic book origins?