Back in 2007, James Wan decided it was time for Kevin Bacon to be a badass again. Thus Bacon was put at the center of a brutal revenge thriller, got his head shaved, and set off to remind the world he’s more than just the guy from Tremors and Footloose. Sadly, audiences and critics didn’t take kindly to this. Listen to Alex & Julio as they discuss DEATH SENTENCE and all the awesomeness within it! How can this Wan B-side score a meager 20% on the Tomatometer???

Is it possible for two Scorsese fans to say anything fresh about GOODFELLAS? Is it even necessary? Alex & Julio face an unusual challenge in their Contrarians journey, but hopefully one that makes for a fun Real Talk segment. And when they’re done praising everything about Marty’s masterpiece, will Alex be forced to re-evaluate his opinions about CASINO?

Hey look, it’s the movie that Martin Scorsese has been remaking through most of his career - perhaps because it wasn’t that great to begin with. Try telling that to all those critics which bestowed an impressive 96% Tomatometer score on GOODFELLAS. Guys, it wasn’t even good enough to beat Dances with Wolves at the Oscars. Listen to Alex & Julio drop some hard truths about Marty’s so-called masterpiece as we close the Mount Rushmore arc!

Okay, seriously, Jason Reitman… what happened? You may like LABOR DAY, you may hate LABOR DAY, but either way you can’t argue that it’s a puzzling career move from the man who brought us Thank You For Smoking, Juno, Up in the Air, and Young Adult. In this Real Talk segment, listen to Alex & Julio try to figure out how Kate Winslet and Josh Brolin ended up in a trashy romance novel and even dare to brainstorm an alternate, more satisfying, version of the story.

Kate Winslet specializes in playing women who fall in love truly, madly, deeply, and quickly. That can sometimes turn off critics and audiences, as was the case with the underrated LABOR DAY a.k.a. Jason Reitman’s Most Honest Movie. Listen to Alex & Julio as they allow unfiltered romance to pierce their defenses and discuss Josh Brolin’s raw sex appeal, the aphrodisiac qualities of peach pie, and other things you may learn about in prison.

Well, that was quite a minefield to navigate in Contrarians Corner. But now that we are in Real Talk, are we really in sync with Marcos Siega’s vision in PRETTY PERSUASION? We can all agree that Evan Rachel Wood and the rest of the cast are great but… in the service of what, exactly? And yes, there’s more James Woods talk.

The best type of filmmaking is that which pushes boundaries. Filmmaking that tells the stories most people are afraid to tell. And, unfortunately, critics and audiences often punish these daring projects - like when they stamped a 33% rotten Tomatometer score on PRETTY PERSUASION. Listen to Alex & Julio as they try to rescue what might be the best Evan Rachel Wood vehicle from obscurity. Also: did 2005 try to warn us about James Woods?

It’s fascinating that we can look back at BEING JOHN MALKOVICH and - love it or hate it - we can probably claim it’s Charlie Kaufman’s most accessible movie. But does that make it good? Alex & Julio discuss what works and what doesn’t in Kaufman and Spike Jonze’s first film, while recounting their own past experiences with this 1999 acid trip. And is it Cameron Diaz’s best performance?

“Malkovich Malkovich Malkovich? Malkovich Malkovich. MALKOVICH!” - Apparently, that was enough to get you a Best Original Screenplay nomination at the 2000 Oscars. But how does BEING JOHN MALKOVICH look more than two decades later, when we are overly familiar with Spike Jonze and Charlie Kaufman’s quirks and mannerisms? Listen to Alex & Julio as they push down on every bit of nonsense in the film, from monkey flashbacks to inexplicable mythology.

Legend says even director Phillip Noyce isn’t happy with how The Bone Collector turned out. But do we agree with that assessment now that we are in the Real Talk part of the show? Even if you removed Denzel and Angelina from the movie, isn’t this quite an entertaining cast to watch? Or is David Fincher’s shadow too oppressive to allow this type of thriller to blossom? Plus: a nostalgic look back at 90s posters!